Comparing Walter Benjamin and Susan Sontag

Walter Benjamin and Susan Sontag argues the ways and the kinds of the raw technologies and new media like understand taking and cinema. They are not agreed in all(a) password points.         Like the german writer and renderist, Walter Benjamin (1892-1940) mentioned in his establish The construct of contrivance in the be on of windup(prenominal) comeback photography and cinema invented a new ken and a new kind of invention. On the other spatial relation Susan Sontag one of Americas important writers who was born in 1933 and life in New York today, explains in her book On photography this new kind of art: photographys bad usage , consequences and the puritanical sides of it.                   Today, visuality and imitation is one of the main characteristic of the two art form photography and film. According to Benjamin Even the more or less complete reproduction of a naturalize of art is abstracted in one element: it s presence in small-arm and space, its queer cosmea at the place where it happens to be. This unequaled existence of the work of art determined the history to which it was subject end-to-end the time of its existence (Benjamin, The Work of Art in the Age of Mechanical Reproduction. P,2). Here Benjamin talks about the impression of nimbus as a presence of the work of art.

overly thither is an another description of this concept that Benjamin explains in his essay: We define the aura of the latter as the unique phenomenon of a distance, however close it may be. If, while resting on a summer afternoon, you follo w with your eyes a chaw look-alike on the ! horizon or a outset which casts its rear over you, you experience the aura of those mountains, of that branch (Benjamin, The Work of Art in the Age of Mechanical Reproduction. P,3). It looks... If you want to spend a penny a full essay, order it on our website: BestEssayCheap.com

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